A melancholy evening. Just sent out a big batch of "no thank yous" for No Tell. The biggest group of "close but not cigar" to date and there's still a bunch we haven't yet responded. Some editors don't mind sending out rejections. I do when the work has merit, but for whatever reason we don't go with it. I find it more difficult than receiving my own rejections. The only time I get upset about my own work's rejections is when I've deluded myself into thinking it was a "sure thing." It's never a sure thing. Since editing No Tell I rarely get upset when an editor decides not to take my work. Sure, I might mutter "whatever pig fucker, your loss", but I don't get upset.
What I don't mind is rejecting work that doesn't follow the guidelines. If you're only sending three poems, you don't read No Tell and I don't care if your feelings get hurt. I also stop feeling bad when after the "no thank you" the poet freaks on my ass. Don't freak on my ass. I never ever forget an ass freaking and that is something I take personally.
Chris just admitted the "Gideon First Cheerios" pictures are lost forever. He downloaded the pictures onto his computer and suddenly *poof*. Searching for the forgiveness in my heart. Those pictures were adorable.
There's no ice cream in the freezer.
6 Comments:
interesting blog!
Cheer up. You're a great poet and I admire the hell out of you as an editor.
I also hate (writing/sending) rejections. Main reason I don't edit anymore. I need someone to be the bad guy, while I huddle in the corner, cackling and laying out text.
Make him go get you some ice cream. Dove pecan caramel. Last Gideon pic was adorable.
Thank you for your sweet words. I'm all cheered up.
I edited Phoebe for the lengthy span of two months before I dropped out (of school, and of editing). I wrote the longest, most supportive rejections I could: try these journals (list of ten journals), oooh this part was nice, etc., etc. I think I spent more time of rejections than I did on writing my own poems.
The only submissions I didn't feel bad rejecting were the ones typed on purple paper, or covered with seashell stickers--I kid you not. One lavender-colored stickered cover letter boasted that the poet had been a finalist for the Yale Younger. I couldn't help wondering if she had turned her manuscript into Yale on lavender paper.
ha ha. but i think i did hear that's how tony tost's distinguished itself amongst the slush! ;)
I love purple! Thanks for sharing this important slush pile secret. Now my poems and I are going to go take over the world.
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